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Plaque with Crucifixion (modern forgery)


Byzantine
19th century - 20th century (in the Byzantine Style of the 11th-12th century)
20 x 10.5 x 1.3 cm (7 7/8 x 4 1/8 x 1/2 in.)
ivory
BZ.1929.2

Not on view


Permalink: http://museum.doaks.org/objects-1/info/35690

Additional Images
Additional Image Obverse
Obverse
Additional Image Reverse
Reverse
Additional Image Detail of torso of Christ
Detail of torso of Christ
Additional Image Detail of Michael
Detail of Michael
Additional Image Detail of Gabriel
Detail of Gabriel
Additional Image Detail of upper section
Detail of upper section
Additional Image Detail of lower section
Detail of lower section

Description
Central leaf of a triptych with representation of the Crucifixion flanked by the Virgin and St. John. Above, there are two angels, Michael and Gabriel, with their names inscribed in Greek. Below the arms of the cross, there is an inscription in Greek: Behold thy Son/ Behold thy mother. At the top, flanking the titulus, are identical images of the sun and moon.

The authenticity of the plaque has been questioned.


Bibliography
Carvings in Ivory, ed. Maclagen, Burlington Fine Arts Club (London, 1923), cat. no. 54, pl. XVI.

Exposition internationale d'art byzantin (Paris, 1931), cat. no. 90, p. 75.

A. Goldschmidt and K. Weitzmann, Die byzantinischen Elfenbeinskulpturen, Bd. II (Berlin,1934), no. 229, p. 81, pl. LXXIV.

Arts of the Middle Ages, Boston Museum of Fine Arts (Boston, 1940), cat. no. 117, p. 40.

Bulletin of the Fogg Museum of Art, Vol. X, Dec. 1945, no. 4, reproduction p. 113.

The Dumbarton Oaks Research Library and Collection of Harvard University, Handbook of the Collection (Washington, DC, 1946), no. 160.

K. Weitzmann, Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection, Vol. III, Ivories and Steatites (Washington, DC, 1972), p. 3 [for reason this ivory was not included in the catalogue].

S. Boyd and G. Vikan, Questions of Authenticity Among the Arts of Byzantium (Washington, DC, 1981), no. 11.

A. Cutler, The Craft of Ivory: Sources, Techniques, and Uses in the Mediterranean World: A.D. 200-1400 (Washington, DC, 1985), fig. 38, p. 39 and passim.

A. Cutler, The Hand of the Master: Craftsmanship, Ivory, and Society in Byzantium (9th-11th Century) (Princeton, 1994), p. 13-14, 44, fig. 7.


Exhibition History
London, Burlington Fine Arts Club, "Carvings in Ivory," 1923.

Paris, Musée des Arts Decoratifs, "Exposition internationale d'art byzantin," 1931.

Boston, Museum of Fine Arts, "Arts of the Middle Ages," Feb. 17 - Mar. 24, 1940.

Cambridge, Fogg Museum, "A Selection of Ivories, Bronzes, Metalwork and Other Objects from the Dumbarton Oaks Collection," Nov. 15 - Dec. 31, 1945.

Dumbarton Oaks, "Questions of Authenticity," Jan. 7 - May 11, 1981

Dumbarton Oaks, "The Craft of Ivory," Oct. 24, 1985 - Jan. 26, 1986.

Dumbarton Oaks, "Cross References", March 26, 2010 - July 31, 2010.

Washington, DC. Dumbarton Oaks, 75 Years/75 Objects: Celebrating 75 Years of the Dumbarton Oaks Museum, September 8, 2015 - May 22, 2016.



Acquisition History
Collection of Walter Burns, London.

Purchased from Bacri Frères - Antiquaires, Paris (dealer) (ex Walter Burns sale), 1929.

Mildred Barnes and Robert Woods Bliss, Dumbarton Oaks.

Harvard University, The Dumbarton Oaks Research Library and Collection, November 1940.

Dumbarton Oaks Research Library and Collection, Byzantine Collection, Washington, D.C.


Object Last Modified: 11/16/2023