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Christ Healing the Blind Man (modern forgery?)


20th century (In the style of the late 4th century Theodosian period)
26.5 cm x 27.5 cm (10 7/16 in. x 10 13/16 in.)
marble
BZ.1952.8

Not on view


Permalink: http://museum.doaks.org/objects-1/info/30355

Additional Images
Additional Image obverse
obverse
Additional Image front
front
Additional Image head of man and bearded figure
head of man and bearded figure
Additional Image oblique angle, right side
oblique angle, right side

Bibliography
E. Kitzinger, "A Marble Relief of the Theodosian Period," Dumbarton Oaks Papers 14 (1960): 17-42.

P. Testini, "Un rilieveo cristiano poco noto del Museo di Barletta," Vetera Christianorum 1 (1964): 129ff., esp. 146, 158, fig. 22.

Handbook of the Byzantine Collection (Washington, D.C., 1967), 6, no. 19, pl. 19.

H.-G. Severin, "Oströmische Plastik unter Valens und Theodosius," Jahrbuch der Berliner Museen 12 (1970): 211-52, esp. 227, 233.

K. Weitzmann, Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century, ed. K. Weitzmann, exhibition catalogue, Metropolitan Museum of Art, November 19, 1977-February 12, 1978, (New York, 1979), 440-41, no. 399.

E. Kitzinger, Byzantine Art in the Making: Main Lines of Stylistic Development in Mediterranean Art, 3rd-7th Century (Cambridge, Mass., 1980), 39, fig. 72.

S. A. Boyd and G. Vikan, Questions of Authenticity among the Arts of Byzantium, exhibition catalogue, Dumbarton Oaks, January 7-May 11, 1981, Dumbarton Oaks Byzantine Collection Publications 3 (Washington, D.C., 1981), no. 1.

E. Kitzinger, Byzantinische Kunst im Werden: Stilentwicklungen in der Mittelmeerkunst vom 3. bis zum 7. Jahrhundert (Köln, 1984), note 43.

C. J. Downing, "Wall Paintings from the Baptistery at Stobi, Macedonia, and Early Depictions of Christ and the Evangelists," Dumbarton Oaks Papers 52 (1998): 259-80, esp. 269ff., fig. 18.

D. Knipp, "Christus Medicus" in der frühchristlichen Sarkophagskulptur: ikonographische Studien der Sepulkralkunst des späten vierten Jahrhunderts, Supplements to Vigiliae Christianae 37 (Leiden ;Boston, 1998), 30-31, 40-41.

H. Avalos, Health Care and the Rise of Christianity (Peabody, Mass., 1999), cover.

A. Kirin, J. N. Carder, and R. S. Nelson, Sacred Art, Secular Context: Objects of Art from the Byzantine Collection of Dumbarton Oaks, Washington, D.C., Accompanied by American Paintings from the Collection of Mildred and Robert Woods Bliss, ed. A. Kirin, exhibition catalogue, Georgia Museum of Art, (Athens, Ga., 2005), 121-123, no. 59.


Exhibition History
New York, Metropolitan Museum of Art, "Age of Spirituality: Late Antique and Early Christian Art, Third to Seventh Century," Nov. 1977 - Feb. 1978.

Athens, GA, Georgia Museum of Art, “Sacred Art, Secular Context: Objects of Art from the Byzantine Collection of Dumbarton Oaks, Washington, D.C., Accompanied by American Paintings from the Collection of Mildred and Robert Woods Bliss,” May 15 – November 6, 2005.

Washington, DC. Dumbarton Oaks, 75 Years/75 Objects: Celebrating 75 Years of the Dumbarton Oaks Museum, September 8, 2015 - May 22, 2016.



Acquisition History
Formerly in the Levi Benzion Collection, Paris;

Purchased from the dealer R. Stora & Co., New York by Mildred Barnes and Robert Woods Bliss, April 16, 1952;

Gift of Mildred Barnes and Robert Woods Bliss on the occassion of the 44th Anniversary of their marriage to Dumbarton Oaks Research Library and Collection, April 14, 1952;[1]

Dumbarton Oaks Research Library and Collection, Byzantine Collection, Washington, DC


Notes:
[1] The bill of sale with receipt of payment is dated April 16, 1952, but the wedding anniversary was on April 14, 1952. The object was bought by Mr. Stora to Dumbarton Oaks on March 22, 1952.



Object Last Modified: 11/16/2023