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Bowl with Anthropomorphic Cacao Trees


Maya, Early Classic
400 - 500
8.57 cm x 15.88 cm (3 3/8 in. x 6 1/4 in.)
carbonate stone
PC.B.208

On view


Permalink: http://museum.doaks.org/objects-1/info/22807

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Description
Cacao was a sacred plant, an offering, a delicacy, a ceremonial drink, a muse for artists and writers, a tribute item, and a currency in Pre-Columbian Mesoamerica. Maya elites so prized this remarkable fruit that many of them were buried with vessels such as this one, decorated with carved references to cacao and probably once filled with a chocolate drink to feed the spirit of the deceased.

This bowl is decorated with three oval cartouches containing bas-relief carvings and interspersed with columns of large glyphs. The figure represented in the two remaining cartouches (the third has been destroyed) displays tattoo-like earth markings on his limbs and torso, and striped cacao pods grow from various places on his body. He wears composite earspools and a beaded necklace, bracelets, anklets, and a belt, and sits on or floats above a woven throne, here covered with jaguar skin. He wears a “jeweled Ajaw” headdress, and points toward a necked jar, presumably one containing a chocolate drink.

This impressive personage may personify a cacao plant or possibly a Chocolate God. The Maya used various vessel types to serve chocolate, but they apparently favored hemispherical bowls such as this one for drinks that they wished to keep cool. They consumed chocolate variously as a drink, porridge, powder, or solid substance, often mixing it with other ingredients or flavorings, including chili peppers, an herb called itsimte, and a still-unidentified flavor labeled yutal in Classic Maya writings. Like the Aztecs, Maya nobles preferred a chocolate drink that was frothy and considered foam to be the most desirable part of the drink. In order to create large amounts of foam, Maya women poured liquid chocolate repeatedly from one tall vessel into another.


Bibliography
Benson, Elizabeth P. 1963 Handbook of the Robert Woods Bliss Collection of Pre-Columbian Art. Dumbarton Oaks, Trustees for Harvard University, Washington, D.C., p. 17, cat. 83.

Bliss, Robert Woods 1957 Pre-Columbian Art: The Robert Woods Bliss Collection. Text and Critical Analyses by S. K. Lothrop, Joy Mahler and William F. Foshag. Phaidon, New York. p. 258, cat. 138, pl. LXXXV.

Bliss, Robert Woods 1959 Pre-Columbian Art: The Robert Woods Bliss Collection. 2nd ed. Text and Critical Analyses by S. K. Lothrop, Joy Mahler and William F. Foshag. Phaidon, London. p. 266, cat. 138, pl. LXXXV.

Bühl, Gudrun (ED.) 2008 Dumbarton Oaks: The Collections. Dumbarton Oaks Research Library and Collection, Washington, D.C., p. 216-217.

Coe, Michael D. 1975 Classic Maya Pottery at Dumbarton Oaks. Dumbarton Oaks, Trustees for Harvard University, Washington, D.C., p. 11-12, cat. 2, pl. 2.

Coe, Sophie D. and Michael D. Coe 1996 The True History of Chocolate. Thames and Hudson, New York. p. 45.

Doggett, Rachel, Monique Hulvey and Julie Ainsworth 1992 New World of Wonders: European Images of the Americas, 1492-1700. Folger Shakespeare Library; University of Washington Press, Washington, D.C.; Seattle. p. 84.

Dreiss, Meredith L. and Sharon Greenhill 2008 Chocolate: Pathway to the Gods. University of Arizona Press, Tucson. p. 12-15, fig. 1.4.

Fields, Virginia M. and Dorie Reents-Budet 2005 Lords of Creation: The Origins of Sacred Maya Kingship. Scala; Los Angeles County Museum of Art, London; Los Angeles. p. 206-207, cat. 101.

Houston, Stephen and David Stuart 1998 The Ancient Maya Self: Personhood and Portraiture in the Classic Period. Res: Anthropology and Aesthetics 33:73-101. fig. 2a.

Houston, Stephen, David Stuart and Karl A. Taube 2006 The Memory of Bones: Body, Being, and Experience among the Classic Maya. 1st ed. University of Texas Press, Austin. p. 108.

Kelemen, Pál 1943 Medieval American Art, a Survey in Two Volumes. 2 v. vols. Macmillan, New York. p. 185-186, pl. 137a.

Kerr, Justin (ED.) 1992 The Maya Vase Book: A Corpus of Rollout Photographs of Maya Vases, Volume 3. Kerr Associates, New York. p. 470.

Kerr, Justin n.d. Maya Vase Database: An Archive of Rollout Photographs., URL: <http://www.mayavase.com/>. cat. K4331.

Looper, Matthew George 2009 To Be Like Gods: Dance in Ancient Maya Civilization. The Linda Schele Series in Maya and Pre-Columbian Studies. University of Texas Press, Austin. p. 98, fig. 3.24.

Martin, Simon 2006 Cacao in Ancient Maya Religion: First Fruit from the Maize Tree and Other Tales from the Underworld. In Chocolate in Mesoamerica: A Cultural History of Cacao, Cameron L. McNeil, ed., pp. 154-183. University Press of Florida, Gainesville. p. 154-156, fig. 8.1.

Miller, Mary Ellen and Simon Martin 2004 Courtly Art of the Ancient Maya. Thames & Hudson, New York. p. 78-79, pl. 33.

Millon, René 1959 La Agricultura Como Inicio De La Civilización. In Esplendor Del México Antiguo, Jorge R. Acosta, ed. vol. 2. Centro de Investigaciones Antropológicas de México, México. p. 1014.

Pillsbury, Joanne, Miriam Doutriaux, Reiko Ishihara-Brito and Alexandre Tokovinine (EDS.) 2012 Ancient Maya Art at Dumbarton Oaks. Pre-Columbian Art at Dumbarton Oaks, Number 4. Dumbarton Oaks Research Library and Collection, Washington, D.C., p. 16, 108-119, pl. 9, fig. 14, 55.

Robicsek, Francis 1975 A Study in Maya Art and History: The Mat Symbol. Museum of the American Indian, Heye Foundation, New York. fig. 53.

Schmidt, Peter J., Mercedes de la Garza and Enrique Nalda 1998 The Maya. Rizzoli, New York. p. 632, cat. 445.

Schmidt, Peter J., Mercedes de la Garza and Enrique Nalda 1999 Los Mayas. Universidad Nacional Autónoma de México; CONACULTA; Instituto Nacional de Antropología e Historia, México, D.F., p. 632, cat. 445.

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Exhibition History
"Indigenous Art of the Americas", National Gallery of Art, Washington DC, May 1948 to July 1962.

"I Maya", Palazzo Grassi, Venice, Italy, 9/6/1998 - 5/16/1999.

"Courtly Art of the Ancient Maya", National Gallery of Art, Washington DC, 4/4 - 7/25/2004; California Palace of the Legion of Honor, San Francisco, CA, 9/4/2004 - 1/2/2005.

"Lords of Creation: The Origins of Sacred Maya Kingship, Los Angeles County Museum of Art, Los Angeles, CA, 9/9/2005 - 1/8/2006; Dallas Museum of Art, Dallas, TX, 2/12 - 5/7/2006; Metropolitan Museum of Art, New York, NY, 6/11/ - 9/10/2006.


Acquisition History
Purchased from William Spratling by Joseph Brummer, New York (dealer), October 1, 1940;

Joseph Brummer, New York, dealer, 1940-1947;

Purchased from Ernest Brummer, New York (dealer), by Robert Woods Bliss, June 17, 1947;

Robert Woods Bliss Collection of Pre-Columbian Art, Washington, DC, 1947-1962;

Dumbarton Oaks Research Library and Collection, Pre-Columbian Collection, Washington, DC.


Object Last Modified: 10/2/2023